The Big Move to Live
Some blogs die out because of the writer’s waning interest in a subject, but I can assure you, dearest reader, that I’m still here and quite engaged. So engaged, in fact, that I’ve little time to write more than a blurb.
I’ve been spending most of every waking hour on this fun, yet highly laborious project of moving all my Delirium Dog material from Logic Pro to Ableton Live. Why? Because Ursula and I will be performing the music live at The ScareHouse for six nights (Sept. 30, Oct. 1st, and Oct. 6th-9th).
I committed to this months ago because I knew it would force me to make this big push and solve a lot of technical issues that have been bugging me. I’ve been making all this music without much of a plan for performing it. Figuring out the best way to do that has been bending my brain a bit.
I’m still new to Ableton Live and the more I learn how it works the more I’m enjoying it. It’s brilliant software, really, and lends itself well to what I’m trying to do. The only question right now is: can I become enough of an expert in a month to really make the thing sing? Probably. I know it will at least sound as good and more interesting than just pressing play on the iPod. I have several songs already converted over to Live and can verify that much.
Ursula and I will be singing live (for the 20% or so tunes that require it), which will help give things a live feel. I’ll be mixing and arranging things on the fly. I haven’t decided if I will be playing any live instruments, beyond a little keyboard (I mean physically little). I’m trying to keep this simple and that would introduce a whole other set of issues. I lieu of that, I’m working on ways to make the music variable and different each time it’s performed.
The music will be mostly heard by guests waiting in line at The ScareHouse and for the few minutes that they are walking through the Delirium 3-D attraction. At least it will be loud. On the second weekend (when hopefully all the kinks have been worked out) we may stream the performance onto this very internet you are now using. Watch my Facebook or Twitter feed for updates on that.
The only folks likely to hear the whole performance are the cast members performing in Delirium 3-D. They will be our fully captive audience. For five hours a night. For that reason alone, I want the music to be engaging, ever-changing, and fleshed out enough to fill 3-5 hours with little repetition. No problem!
Did I mention that it takes about three hours per song just to export the clips from Logic and then another hour or so to assemble them into Live? Ok, then, back to it…