Summoning my Inner Tom Waits

In much the same manner as the DD video for Absinthe Cola, the new video (below) was a mostly unplanned, quick shoot using sets inside The ScareHouse. I’m still amazed how well their sets show up on video. They’re so beautiful that it’s like shooting fish in a barrel, really, except I’m also one of the fish in this analogy.

The role of the shooter was played by Steve Friedrick, who co-produced and co-directed the video with me. He also handled all the editing and post-production, which is great because I would have gone insane looking at myself so much. I also would have made it a lot blurrier and layered a lot more effects over my face. In fact, the extent of my contribution to post-production, when Steve was showing me draft edits, was to tell him to use more effects and to dirty it up more. The original footage (shot with my Canon T2i) was painfully crisp and clear. You could count the whiskers on my chin. I don’t know how any actor can survive the scrutiny of the HD camera lens these days. I’ve been noticing more lately how on-screen talent (from newscasters to dramatic performers) use makeup and other techniques to hide the natural process of aging. Some appear to have a “no extreme close-ups” written right into their contract. Anyway, while I’m not afraid of revealing any “age lines,” I’m still a little weirded out by seeing my face so clearly. Especially when I’m performing a caricature of evil incarnate.

I knew that I could not successfully embody said evil if I just played it straight (whatever “straight evil” means). So here you get me channelling Tom Waits, which, either because I’m not being very successful or because I’m not actually Mr. Waits, ends up looking unique enough for a music video. Steve brought the goggles and they are roughly half the character. That wicked smile was quite painful to hold and my jaw hurt at the end of each take. The twitchy dance technique also burned quite a few calories and I was pretty well wiped after a couple takes. Such is the price we must pay for our art.

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2 Responses to “Summoning my Inner Tom Waits”

  1. Steve Friedrick Says:

    The other effect of the goggles was that they are so dark that you couldn’t see us. This allowed you to perform and let loose a bit more than if you could see a crew staring at you.

  2. There were people staring at me? 🙂 Yes, that’s probably true.

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